#Sony e mount fisheye manual

It is a manual lens, when you use a camera with the lens, you need to set the camera to 'shoot without lens.' Fisheye's design renders a 190° angle of view to produce a distinct visual appeal characterized by dramatic distortion and a creative depiction of space.įull metal body, only weight 0.58lb/265g. The ultra-wide fisheye lens is designed for APS-C-format Nikon Z-mount mirrorless cameras and provides an 11.25mm equivalent focal length. Aviation aluminum lens mount & electroplated tungsten steel color, which is resistant to abrasion and corrosion. Anodizing coloring design, which enhances the lens anti-corrosion, an-dirt functions, and its varnish not easy to removed.

Durable, Compact & Portable: Metal body, only weight 0.58lb/265g.

Fisheye design renders a 190° angle of view to produce a distinct visual appeal characterized by dramatic distortion and a creative depiction of space.

2 HOYA Ultra-Low Dispersion Materials & 190° Angle of View: Improve contrast and color rendering in a variety of lighting conditions.

A 7-blade diaphragm contributes to a smooth and pleasing bokeh quality. Bright f/2.8 maximum aperture suits working in a variety of lighting conditions and also contributes to the sleek form factor.

11 Elements in 9 Groups & Ideal Aperture: Its optical system consists of 11 elements in 9 groups.

E-Mount Lens, APS-C Format: The ultra-wide fisheye lens is designed for APS-C-format Sony E-mount mirrorless cameras and provides an 11.25mm equivalent focal length.

Click to View TTArtisan 2021 July New Fisheye Lens -7.5mm f/2.0.

The Op could be different, but when I look for native options I want something designed for the system. If that's all your looking for in a native lens, then why limit ourselves to the Rokinon? Just buy any fisheye you want and glue the appropriate $10 dumb adapter to it. I think splitting hairs is making a distinction between a removable adapter and one that isn't. In the case of the 12mm Rokinon, the e-mount version has no electronic connections, provides no AF or EXIF and is bigger than the SLR version because it essentially has a permanent dumb adapter on it. I guess it's OK to see things differently.įor me I don't consider a lens made for a DSLR that was remounted for E-mount a true native option. Not meaning to split hairs, but trying to be clear. According to that understanding, there are a number of third-party lenses that are native to the E-mount lens ecosystem. Most folk seem to consider native E-mount lenses to refer to those that, regardless of brand, don't require an adapter (but rather, exit the factory with an 'e' bayonet fitting, ready to attach to an E and/or FE camera). Perhaps by 'true native' you mean made and sold by Sony - in which case I'd agree with you. The 28mmwith the fisheye converter is the only 'true' native option There is a small 17mm f4 takumar but it is pricy and I hear it is not as sharp. Not used this on the A7RII after testing vs the Minolta, its fairly close but I think the MInolta has better edges.Īn old manual fisheye would be a nice option, I think the Minolta rates quite well in its pre AF version. Similar infinty mark problems due to adapters being the incorrect length. I also have the 15mm Canon fisheye, less nice to manually focus, too loose.

Flares more than the 8mm Samyang on APS-C I think. Good sun stars, good sharpness stopped down, focuses close. Because the LA-EA3 is made too short the infinity focus mark is way off.

I have the LA-EA3 + 16mm Minolta AF and use it on the A7RII. If you do like the projection it is your only choice. That means if you are looking for exaggerated big nose pet portraits, it isn't the right option. The maximum magnification is much lower though, as well as the lower focal length they don't focus as close. It works really well for a lot of scenes. You get a less exaggerated fisheye effect but still with a (very fractionally larger even) field of view. 12mm vs 16mm minolta) magnifies the centre of the image less. Both are manual focus only but have good focusing rings. Both the Samyang fisheyes have a different projection (Stereographic) to the older Canon, Nikon, Minolta fisheyes. There is the 12mm f2.8 Samyang in emount but unlike their APS-C 8mm f2.8 fisheye (which I use on an Nex camera) it is made for DSLRs and is extended for e mount. I have three 180 degree diagonal fisheyes but none both native and FF.

Sony e mount fisheye